Handmade Indian sarees provider today: The garment evolved from a popular word ‘sattika’ which means women’s attire, finds its mention in early Jain and Buddhist scripts. Sattika was a three-piece ensemble comprising the Antriya – the lower garment, the Uttariya – a veil worn over the shoulder or the head and the Stanapatta which is a chest band. The three-piece set was known as Poshak, the Hindi term for costume. Antriya resembled the dhoti or the fishtail style of tying a sari. It further evolved into Bhairnivasani skirt, which went on to be known as ghagra or lehenga. Uttariya evolved into dupatta and Stanapatta evolved into the choli. Find additional information on https://silkpetalss.com/product-category/sarees/.
Each region brings forth a trunk full of saris, with a strong identity and their own traditional designs, motifs, and colours, says 73-year-old Laila Tyabji, co-founder of Dastkar, an NGO established in 1981 that supports traditional Indian craftspeople. Even from village to village, there is a different weave. Every sari has a story about the society and the people around it. It is a history book that tells you about the region, the community, the craftsmen, and the geography of the place. The famous brocades from the ancient city of Banaras, with intricate designs and detailed embroidery using gold and silver threads, take their name from the city and evolved during Mughal rule over India. To this day a Banarasi sari is a must-have in an Indian bride’s trousseau.
In West Bengal, Balchuri saris flaunt trim based on designs found on the walls of the region’s burned clay terracotta temples. “Every sari has a story about the society and people around it,” says Darshan Dudhoria, the chief executive officer of online retailer Indian Silk House Agencies. Still, globalization and competition for ever-cheaper merchandise have made machine-loomed saris prevalent in recent decades. Many bad copies of traditional garb are being shipped in from China. Long-time weaving families have found themselves out of work, their looms worthless.
Every once in a while, we come across a sappy wedding post that shows the bride in her grandmother’s saree, which she wore as a tribute to her well-kept saree wardrobe. Saree, a nine-yard wonder, is not just a relic of our shared history but also has roots deep in Indian society. Its existence can be traced back to the scriptures of Jain and Buddhist texts, with the sari originating from the word sattika. It is a three-piece ensemble consisting of the Antriya, the lower garment; the Uttariya, a veil worn over the shoulder or head; and the Stanapatta, which is a chest band.
Most of our products are handcrafted and the weavers have been chosen with care in order to ensure the best quality of handwork is brought to our customers. In fact , some of our empaneled weavers have won awards at the highest national level and have been associated with this work for generations. Our products and weaves are authentic, artisanal and sourced sustainably , curated by Karigars from different parts of India like West Bengal, Varanasi, Rajasthan, Gujarat etc. Find additional info at https://silkpetalss.com/.
After moving to Hong Kong, I started wearing the saris that my mother had given me as a part of my wedding trousseau. Hand-woven saris from different parts of India – the brocaded Banarasi from Varanasi, the pure silk Kanjeevarams from Tamil Nadu, the Paithani from Maharashtra and so many more. The sari gives me a sense of belonging, says Bangalore-based perfumer Ahalya Matthan, who in 2016 founded The Registry of Sarees, a research and study centre for handspun and handwoven saris in India.